With the finale of The Legend of Korra having officially aired, we can now see the ripples its aftermath has created throughout the media. When protagonist Korra and her close female friend Asami Sato ended the show by walking into the literal spiritual sunset together, the implications of romance were hard to deny, so much so they’ve been discussed, dissected, praised, and critiqued by media and fans alike.

The show has had a rough time being handled by the stumbling hands of Nickelodeon. Due to the immense popularity of its predecessor Avatar: The Last Airbender, Nickelodeon greenlighted the show. This was in spite of some reservations that Bryan Konietzko revealed to NPR the network had in backing a show with a female lead. However, since it’s inception The Legend of Korra has faced many troubles, including clumsy Twitter handling—in a humorously embarrassing moment, the official Nick Twitter retweeted a fan made edit promoting it as an in show piece—to the network pulling it from TV all together.

The reason why the show was pulled? Content. Executives felt that the show—after the first season’s finale included two characters dying on screen—was too dark for its Saturday morning timeslot. So they pulled The Legend of Korra from it’s original Saturday morning TV timeslot and moved the show to Friday nights. Unfortunately, the time switch didn’t hold much effect and the network pulled the show completely off television, only to show the final two seasons online instead, which, coincidentally or not, only gave the creators affectionately called “Bryke”—a name coined by the fandom and derived from combining Bryan Konietzko and Michael Dante Dimartino’s names—and their team more free reign.

It’s been argued by some fans that the third and fourth seasons of Korra are the best of the show’s run. With many feeling frustrated by the pacing and lack of character development in the first two seasons—not to mention the forced and at times jarring love triangle that was between Korra, Mako, and Asami—the third season focused instead on plot, characters, and began the foundation for Korra and Asami’s growing friendship. The show also closed the romantic subplots both women had with Mako after season two.

This foundation grew a prominent fanbase that garnered the attention of both the creators and Korra’s voice actor Janet Varney. However, fans were very reluctant to hold much hope that the two could actually become “canon” within the context of the show. Given that American television still struggles with the inclusion of queer sexualities in adult content, including diversity in children or family based content is even more of a pipe dream.

Yet, that’s exactly what happened. The finale aired with such strong implications that Korra and Asami’s friendship had finally grown into more, treading into romantic waters, that high profile sites such as Vanity Fair, The Huffington Post, A. V. Club, and Forbes have all commented and supported the romantic relationship between the two women. Furthermore, both creators haveofficially confirmed “Korrasami’s” legitimacy on their personal Tumblrs.

With the in-show evidence, along with the confirmation from the creators, a greater discussion is brewing about queer characters within the medium of children based cartoons. I was lucky enough to be given the chance to further discuss not only the romantic relationship between Korra and Asami, but also the inclusion of queer characters and diverse sexualities in children’s media with some fantastic fellow writers here at Woman Write About Comics.

Read the rest at WWAC!